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	<title>Sound Screen &#187; Philip Reynolds</title>
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		<title>Lessons from history</title>
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		<pubDate>Sun, 24 Jan 2010 19:53:26 +0000</pubDate>
		<dc:creator>philreynolds</dc:creator>
				<category><![CDATA[Columns]]></category>
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		<category><![CDATA[Green Zone]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Philip Reynolds]]></category>
		<category><![CDATA[Route Irish]]></category>

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		<description><![CDATA[The first films of the Iraq war are soon to hit cinemas, but Philip Reynolds asks if it's all too soon to be filming history?]]></description>
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		<title>DVD: Valkyrie</title>
		<link>http://www.sound-screen.co.uk/4screen/dvd-reviews/valkyrie-dvd-review/</link>
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		<pubDate>Mon, 01 Jun 2009 09:37:34 +0000</pubDate>
		<dc:creator>The Boss</dc:creator>
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		<category><![CDATA[Philip Reynolds]]></category>
		<category><![CDATA[Tom Cruise]]></category>
		<category><![CDATA[Valkyrie]]></category>

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		<description><![CDATA[Since the Second World War, directors have reached for the image of the Nazi as a source of simple, morally objectionable antagonists. From Michael Curtizâ€™s seminal Casablanca and George Lucasâ€™ original Indiana Jones films, right through to Guillermo Del Toroâ€™s 2004 fantasy Hellboy, the presence of Nazis on film are visual shorthand for all that is evil and underhanded.
]]></description>
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